SPOHP hopes you enjoy listening to a radio interview with UF history student Julian Valdivia on Gulf Coast Live on WGCU from July 31st, “UF Student Oral Histories From Community Elders” here.
SPOHP staffers Holland Hall and Lara Alqasem stopped by the UF English Language Institute to provide a presentation and oral history workshop for the program’s international students, highlighting our collections about immigration!
Walk along Seahorse Key beach with Steve Stancyk and John Caldwell, as well as other marine biologists, at the UF’s Seahorse Key Marine Lab. Free on SPOHP’s Youtube channel! (click image)
For an easy way to navigate to SPOHP’s wonderful collection of videos, click on the YouTube icon in the upper righthand corner of our website. SPOHP’s YouTube channel can also be found by entering SPOHP 111 in YouTube’s search field. There are close to 400 videos posted at the moment. Enjoy!
Thanks to our donors, 2017-2018 has been amazing!
And we’re planning a busy year ahead!
During our Summer 2018 Fundraising Campaign Please Donate Today!
The Samuel Proctor Oral History Program,which is one of the premiere oral history programs in the United States, houses over 500 oral history interviews within the African American History Project (AAHP). Join us in preparing for the unveiling of this collection, which will take place in Pugh Hall on March 21, 2019. Through participating in the processing of oral history interviews, researcher volunteers will have the opportunity to listen to oral histories and transcribe the collection for future generations.
SPOHP Undergraduate Research Coordinator Oliver Tesluma and undergraduate Political Science major, as well as SPOHP alums Assistant Professor Jessica Taylor of Virginia Tech and George Washington University doctoral student Candice Ellis, presented papers at the 8th National Civil Rights Conference, which took place on June 17-20, 2018 in Meridian and Philadelphia, Mississippi. This year’s conference theme was “Lets Rise, Advocate, Educate and Cooperate.” Their papers were presented during a panel presentation entitled, Recording Civil Rights History: the Samuel Proctor Oral History Program (SPOHP) and the Mississippi Freedom Project.
Telsuma’s paper, “Evaluating the Effects of Oral History and Civil Rights Activism in the Mississippi Delta Since the 1950s,” incorporated research methods he learned while working with the Samuel Proctor Oral History Program, which, he notes, “emphasizes community collaboration and decolonized leadership structures to conduct effective and sustainable research.” Telsuma’s scholarship contextualizes information collected from the Mississippi Delta region, while evaluating elements of these research methods as organizing tools for better understanding the ways in which power structures can work alongside marginalized communities to empower them, from the Freedom Summer to the Black Lives Matter Movement.
“Samuel Proctor became the first UF Historian and Archivist when he was still a PhD student. He never left the role. Proctor was heavily involved with UF, so much so that rumor told he had four or five, maybe six, offices on the campus. Now, his name prefixes one of the nation’s largest oral history programs — in a field of inquiry that he helped pioneer.”
This Summer a SPOHP team of undergraduate students, graduate students, and SPOHP alumni returned to in Atmore, Alabama to conduct interviews with members of the Poarch Band of the Creek Indian Nation. Students learned the technical skills necessary to set up cameras, lighting, and audio equipment at the tribe’s archive building, as well as in homes on the nearby reservation. Unlike many eastern Indian tribes, the Poarch Creeks were not removed from their tribal lands and have lived together for almost 200 years in and around the reservation in Poarch, Alabama.
Dr. Paul Ortiz and SPOHP will take part in developing UF undergrad courses on Intersections of Global Blackness and Latinx Identity through an Intersections Research-Into-Teaching Grant from the Center for the Humanities and the Public Sphere & Andrew W. Mellon Foundation. This Intersections group will emphasize how popular culture, visual arts, and performance reverberate globally through media consumption to (re)produce Black & Latinx cultures. Illustration by Rafael López for Margarita Engle’s Drum Dream Girl: How One Girl’s Courage Changed Music.